Intersections My recent practice marks a return to slower, process driven image making grounded within the Australian landscape. Working alone and responding directly to materials encountered on site, Intersections is an ongoing photographic series exploring shifting relationships between body, place, and environment.

Through staged interventions within the landscape, figures merge with vegetation, tree structures, lichen, fungi, seaweed, and weathered remnants overtaken by the environment. The body becomes concealed within dense vegetation, suspended within trees, partially absorbed into organic structures, or difficult to distinguish from its surroundings altogether.

Camouflage, awkwardness, humour, concealment, and transformation recur throughout the work, where distinctions between person, organism, object, and landscape begin to blur. Physical strain, improvisation, and bodily negotiation form an essential part of the process, with each image emerging through direct engagement with place.

Underlying the work is an ongoing attempt to locate the body within the landscape, not as something separate from it, but entangled within it. Balancing humour and vulnerability, the works reflect a broader search for belonging, refuge, and connection, while exploring the desire to disappear, merge, and find a place within the natural world. Nature functions simultaneously as collaborator, shelter, and site of negotiation, offering spaces where the body can momentarily vanish, transform, or be reshaped through contact with the landscape.