My recent practice marks a return to image making through slower, process driven work that engages deeply with the Australian landscape and the body’s relationship to place.

Intersections explores unstable relationships between the body and environment through staged photographic images made within bush and coastal landscapes. Working solo and using found forms and materials encountered on site, I incorporate vegetation, trees, lichen, and weathered manmade remnants into the work.

Across the series, bodies disappear into grass trees, merge with branches, become obscured within dense vegetation, or partially emerge from materials overtaken by the environment. The images move between camouflage, collapse, concealment, awkwardness, humour, and transformation, occupying spaces where distinctions between body, landscape, object, and organism begin to blur.

Physical strain, improvisation, and experimentation form an important part of the process, with the work exploring shifting relationships between identity, place, and the uncanny within the Australian landscape.